蟋蟀的聲音分析與聲音行為探討
蟋蟀聲音與行為的關係密不可分。取北部四種蟋蟀樣本,以數位錄音筆錄製及電腦軟體分析蟋蟀的聲音,並用PCR技術萃取蟋蟀的粒線體DNA(16S)加以分析,藉此和傳統的形態學分類相互比較。結果發現蟋蟀聲音的頻率特性中主頻率的差異在親緣遠近有關聯性,但聲音的時間特性方面則沒有特定關聯,不過聲學分析圖仍可作為單一種的鑑定指標。此外,研究發現此4種蟋蟀的聲音頻率範圍有重疊現象,但主頻率、脈衝比、唧聲率及唧聲長不同,推測雌蟋蟀應是綜合這些特性辨別同種。另一方面,以黑蟋蟀作為研究對象,進行干擾實驗,觀察並繪製出其聲音行為模式; 並將此作為對照,結果發現蟋蟀的生殖行為主要受到雄蟋蟀的聲音支配,而雄蟋蟀則以嗅覺辨別雌蟋蟀位置,決定下一步行動,與視覺較無關係。 Cricket's voice is closely related to the behavior. We select four species of crickets from the northern Taiwan to study the acoustic and mating behaviors. The digital sound recorder and acoustic software are used to analyze their acoustic characters. Furthermore, the PCR technology is used to amplify and sequence parts of mtDNA sequences and the results were compiled as the comparison to the traditional morphological character. The result shows that the resolution in acoustic characters of main frequency, pulse number, chirp rate, and the length of chirp are different among four species, though the minor frequency pattern is overlapping. Moreover, we find that frequency characteristic difference among four species is partly related to their phylogenetic relationship, yet is not seen in time characteristic. It is obvious that difference of acoustic behavior can be regarded as identified index among species. Results of acoustic analysis impel us to infer that the female crickets take the comprehensive acoustic behavior to distinguish their specific male. In addition, behavior pattern and model of Gryllus bimaculatus are established as the comparison of interfering experiment is undertaken. Which results suggest that the mating behavior in cricket is dominated by males’ acoustic behavior, and is initiated by male’s olfactory sense rather than that of sight.
見微知「駐」-水珠律動與圓駐波
It is always fascinating to see water droplet’s dancing around on a Japanese teppanyaki hotplate surface. The water usually does not evaporate immediately, but form interesting shapes, dance around and follow by evaporation of gaseous water and disappear. In this experiment, we designed a very simple experimental set-up to observe the little water droplets dancing on a heated hotplate. A homemade stainless plate and a small heater attached to the plate, and a thermal couple was assembled. With this simple setup, we observed the variation of water droplet’s shape as a function of the hotplate temperatures. The temperature of the water droplets, the duration of the water on the hotplate, and the shape number were measured. The shape formation mechanism was proposed. We found when the water droplet was subject to high heat due to the contact of the surface and the hotplate, the abrupt evaporation of the water molecules and violent vibration cause the formation of the various shapes to reach thermal equilibrium; the number of the shapes and the oscillation can be described by Laplace’s equation,Using a high-speed camera, we found the higher the temperature of the water, the more variations of the water droplet shapes can be observed. In addition, at a certain temperature range, the number of the water shapes did not change, suggesting a similar phase transformation behavior on the shape formation.
緣起: 邂逅專題研究、水珠漫舞、剪輯影片,引起我們想更進一步揭開它的神秘面紗。
緣續: 了解熱平台上水滴大小的變化及水珠基本的形狀及變化律動。
緣繫: 進一步研究水珠多變的面貌,並探討水珠的大小、溫度、停滯時間及變化規律相關機制。
緣定: 糾纏在水珠圓舞曲中有如大珠小珠落玉盤的曼妙,其中埋藏了平均圓與能量量子化的律動。
聽聽貝多芬作品的下一代:將碎形及基因演算法應用於數位音樂產生器
本研究整合了碎形圖形的迭代運算方法與基因交配觀念來達到音樂創新,並透過音樂和諧性判別機制來提高創新音樂的悅耳程度。利用基因觀念之交配的方法來解決長短的問題。這個方法是把原始音符輸入後,找出它們的中心點,以這個中心點為準,其他的音符按照一定比例向外延展,成為新的迭代點。再利用這些迭代點,迭代出新的音符。把製造好的音符染色體放置到交配池中,以隨機的方式在交配池中選取其中之一個染色體進行交配的動作,此二音符染色體會交換彼此的基因,產生下一代新的代表音符長短之染色體,隨後以「模仿母體判斷式」來判斷這新一代的音樂是否與母體音樂相似,藉此淘汰掉「不肖的」下一代,而若新一代與母體的相似程度高的話,它的悅耳性相信也會相對提高。最後把這些技術應用於數位音樂創作,以衍生新穎應用與創新的結果。Fractals can be produced by IFS (Iterated Function Systems). By iterative computation of many times, we can obtain the similar graphics. In my research, the methods to generate the iterative algorithms were presented. In addition, I would discuss the regularity and the content as well as the properties of those digital patterns. At last, the advanced application of fractals to digital music pieces was presented. The program took a note of several measure of music as the beginning point, and made the IFS calculations for each new note in each measure. But there was no difference in beats if you just make the IFS iteration. So I changed the beats with genetic crossover method. In this research, the expression of the DNA to each beat of note was adopted. The same way, it took a note as a beginning point. And the system obtained the new DNA from the old notes for new ones randomly. After producing the new pieces of music, I want to know if it is good to listen. So I used the algorithm that checks the simulation to the shape of mother music. If its shape is similar to the mother music, the probability that the new music is pleasing may even increase. That would make a piece of brand new music. What I want to do in this research is improve the multiformity of music and find what the relationship is of ‘good music’ and mathematical algorithms
以離子溶液催化醇與酸酐的之酯化反應
在酯化反應中,經由實驗結果,我們發現離子液體對於此反應有催化的效果。離子液體 是在室溫下呈現液態的離子化合物,將醇類與酸酐放入離子液體中有助於酯化反應的進行, 基於這個新的發現,我們開始尋找使用不同種類的離子液體做實驗,選出適當的離子液體, 並且測試離子液體在不同環境下的催化效果,以及適合的使用計量;更進一步,我們找出離 子液體在催化反應之後,將離子液體回收的方法:利用有機溶劑將離子液體和產物分層並萃 取出產物,把離子液體回收再利用,符合現代推動綠色化學的趨勢。接下來我們探討離子液 體對催化反應的擴展性與應用,先由不同結構的一級醇反應到醯胺鍵的生成,最後推展到合 成阿斯匹靈,實驗結果說明,用離子液體做催化劑,也可以成功的合成阿斯匹靈。 We have established for the first time that ionic liquids, which possess the property of Lewis acid, can facilitate acylation of alcohols with anhydrides to form esters with photo-excitation. With the initial finding, we then screen through different types of ionic liquids with varying counter anions, loading, and external light or heat sources to sort out the best reaction conditions. To gain insights into the working mechanism, the dynamic profile of the catalytic reaction was monitored by analyzing the reaction mixture by using ‘H NMR spectroscopy. The ionic liquids can be recovered by extractive separation from the acylation product, which meets the major theme of green chemistry. To extend the substrate scope and applications of the new catalytic process, different functional primary alcohols and amines were further examined. More importantly, we have utilized the new catalytic protocol for the acetylating of salicylic acid, leading to aspirin with high efficiency.